Founder of Katie Suzuki Music

About Katie

Katie with her husband Hemon and their two children in the garden

I live near Motueka, New Zealand, with my husband and two children. In addition to music I enjoy crafts, gardening and homeschooling our children.

My story

I learnt piano the traditional way from about age 7. The Suzuki method was available for violin where I lived, but not for piano.

When I was about 11, I wanted to start violin lessons, but there were no places available through the free system at my school, so I took a place in their viola class instead. This was not a great choice, because I was a fairly small 11-year-old and the full-size viola was a real stretch for my fingers!

I enjoyed playing in orchestras. However, it didn't escape my notice that the violas rarely got a tune and usually had the "um-pah" accompaniment part. I was rather jealous of the soaring tunes the first violins got to play, so I transferred to violin.

Katie smiling, wearing a sun hat

Becoming a Suzuki teacher

I started teaching in my mid-teens. A family friend asked if I would teach their child, so I did. That was the start of my realisation that I was a teacher at heart! I taught traditionally at this stage because I didn't know any other way.

By the time I was about 20, we had a family friend who happened to be a Suzuki teacher. This friend said to me one day:

"Katie, you so enjoy working with the little children, I think you might enjoy being a Suzuki teacher."

This hadn't occurred to me, but after a little research I soon realised it would be a great idea.

Why I love the Suzuki method

From my first teacher training course I have been passionate about the Suzuki method. It makes so much sense to teach music as a language. I'm also a very logical and organised person, so I really appreciate how well thought-out the syllabus is. Knowing how to play music is quite a different skill from being able to teach it, so I value the thorough grounding and support the Suzuki institute gives its teachers.

Once I discovered the Suzuki method, there was no going back. I taught some traditional students alongside my Suzuki students for a while, but I enjoyed the Suzuki method so much more. As my traditional students moved on or converted to Suzuki, I became solely a Suzuki teacher, and have been ever since.